SELECTED SOLO EXHIBITIONS & INSTALLATIONS:
| 2011 | “Occupation Layer: Palestine”, Gallery Onetwentyeight, New York, NY (Installation with Yoshiko Chuma) |
| 2009 | heartgalerie, Paris, France (“Future Tense” portfolio, Blue Moov_Editions, Paris) |
| 2008 | Antipodes festival, Le Quartz, Brest, France |
| Haven Arts Center, Bronx, NY | |
| Brattleboro Museum of Art, Brattleboro, VT | |
| 2006 | Katzen Arts Center, American University (“Body Languages” with Mary Coble) Washington, DC |
| 2004 | ClampArt, New York, NY |
| G2 Gallery, Scottsdale, AZ | |
| Maus Habitos, Porto, Portugal | |
| 2001 | Wessel+O’Connor Gallery, New York ([Your] Numbered Days artist book) |
| Maus Habitos, Porto & Igreja da Misericordia, Leiria, Portugal: Partial Disclosures installation (catalog) | |
| 2000 | Centro Cultural de Belém, Lisbon, Portugal : Partial Disclosures installation |
| University of Rhode Island, Kingston, RI : Partial Disclosures installation | |
| The Schoolhouse Center, Provincetown, MA | |
| 1998 | C.E.P.A. Gallery, Buffalo, NY: Blind Trust installation (“Ruins in Reverse” exhibitions/catalog) |
| Cabrillo College, Aptos, CA: Partial Disclosures installation | |
| 1997 | Witkin Gallery, New York, NY |
| Gomez Gallery, Baltimore, MD | |
| Houston Center for Photography, Houston, TX (catalog; essay by Mark Johnstone) | |
| Colgate University, Hamilton, NY | |
| “The Works” International Arts Festival, Edmonton, Canada: Blind Trust installation | |
| G. Gibson Gallery, Seattle, WA | |
| 1996 | Craig Krull Gallery, Santa Monica, CA (Compound Fracture, Twin Palms monograph premier) |
| New Arts Program Gallery, Kutztown, PA: Frail Shelter installation | |
| Donna Beam Fine Art Gallery, UNLV, Las Vegas, NV: Blind Trust installation | |
| 1995 | Craig Krull Gallery, Santa Monica, CA |
| G. Gibson Gallery, Seattle, WA | |
| 1994 | Temple University Gallery, Philadelphia, PA: Blind Trust installation/artist book; text by Chris Packard |
| Gomez Gallery, Baltimore, MD | |
| 1993 | Nye Gomez Gallery, Baltimore, MD |
| 1992 | Witkin Gallery, New York, NY (Lifejacket artist book/catalog; texts by K. Larsen, J. McMahon, R. Ehmke) |
| Anderes Ufer, Berlin, Germany (installation) | |
| Galerie Fotomania, Rotterdam, The Netherlands | |
| University of the Arts, Philadelphia, PA : Skin Deep installation | |
| 1991 | Southern Light Gallery, Amarillo, TX |
| 1990 | Witkin Gallery, New York, NY |
| 1988 | Midtown Y Photography Gallery, New York, NY |
| Photographic Resource Center, Boston, MA: Shallow Anatomies installation | |
| 1986 | Chicago Books, New York, NY (window installation) |
| 1985 | Nexus Gallery, Atlanta, GA (installations) |
| C.E.P.A. Gallery, Buffalo, NY: public bus installation project | |
| 1984 | MoMing Gallery, Chicago, IL (installations) |
| The Harkness Center, New York, NY | |
| 1983 | Maison Jean Villar & Manufacture Laugier, Avignon, France |
| DTW Gallery, New York, NY | |
| 1981 | Bates College, Lewiston, ME (with Jacqui Wong/catalog, essay by Brian Wallis) |
SELECTED GROUP EXHIBITIONS AND INSTALLATIONS:
| 2014 | “Transformational Imagemaking”, CEPA Gallery, Buffalo, NY |
| 2013 | Mykonos Biennale, Mykonos, Greece |
| “There Are Many Like It, But This One Is Yours”, Front Room Gallery, Brooklyn, NY | |
| 2012 | “Naked Before the Camera”, Metropolitan Museum of Art, New York, NY |
| “Off the Books”, Vermont Center for Photography, Brattleboro, VT | |
| “Tracing History”, Urban Arts Space, OSU, Columbus, OH | |
| “Collectors’ Favorites” Stephen Cohen Gallery, Los Angeles, CA | |
| “Under the Rainbow”, Greg Cucera Gallery, Seattle, WA | |
| “Sight Specific: LACPS and the Politics of Community” USC Fisher Museum, Los Angleles, CA | |
| 2011 | “The Unseen Eye” George Eastman House, Rochester, NY |
| “Modèles Danse”, L’Arsenal, Metz, France | |
| 2010 | “Tachykardia”, Sommer Gallery, Tel Aviv, Israel |
| “Memento”, Werkstattgalerie, Berlin, Germany | |
| 2009 | “Afterglow; Four Photographers and the Hand-Held Light”, Carrie Haddad Photographs, Hudson, NY |
| “RE: figure”, Columbia College, Chicago, IL | |
| “Mankind”, Werkstattgalerie, Berlin, Germany | |
| 2007 | “Expressive Bodies” Kinsey Institute at Herron Gallery, Indianapolis, IN |
| “Latent Image”, Mesa Contemporary Arts, Mesa AZ | |
| 2006 | “Surface Tension”, Bulldog, Brighton Photo Fringe, Brighton, UK |
| “25th Anniversary Exhibition”, Houston Center for Photography, Houston, TX | |
| “Past is Present”, the laboratorium, Rochester, NY (catalog) | |
| “New to View”, Worcester Art Museum, Worcester, MA | |
| “The Body Familiar”, Griffin Museum of Photography, Winchester, MA | |
| 2005 | George Billis Gallery LA, Culver City, CA |
| “Hidden Histories”, The New Art Gallery, Walsall, UK (publication) | |
| “Anxiety and Desire”, Metropolitan State College of Denver, CO | |
| 2003 | “How Human”, International Center of Photography, New York, NY |
| “Other Waters”, G. Gibson Gallery, Seattle, WA | |
| “Facing AIDS” travelling international exhibition and publication, Umbrage Editions | |
| 2002 | “Everyman”, San Francisco Camerawork, San Francisco, CA (catalog) |
| “Invisible Cities”, Center for Photography at Woodstock, NY | |
| 2001 | “The Last Picture Show” & “Appearances”, Wessel+O’Connor Gallery, New York, NY |
| 2000 | “Anatomically Incorrect”, Museum of Modern Art, New York, NY |
| 1999 | “Rattling the Frame”, SF Camerawork, San Francisco, CA |
| 1998 | “Waterproof”, Expo ‘98, Centro Cultural de Belém, Lisbon, Portugal (publication) |
| “Bodies in Flux”, Weatherspoon Art Gallery, U. of North Carolina, Greensboro, NC (Partial Disclosures) | |
| 1997 | “Exhibit A”, Illinois State University Galleries, Normal, IL: Blind Trust installation |
| 1996 | “Dearest Comrades”, Wessel+O’Connor Gallery, New York, NY |
| “Masculine Measures”, J.M.Kohler Arts Center, Sheboygan, WI | |
| 1995 | “Camera Invisibile”, Temple Abroad Gallery, Rome, Italy |
| “X-Sightings”, Anderson Gallery, Buffalo, NY | |
| “The Body Photographic”, Contemporary Art Center, New Orleans, LA (Blind Trust; catalog) | |
| 1994 | “25th Anniversary Exhibition” Witkin Gallery, New York, NY (publication) |
| 1993 | “Proof Positive” & “Queering Family Values”, Maryland Art Place, Baltimore, MD (catalog) |
| 1992 | “New Photography 8”, Museum of Modern Art, New York, NY (Lifejacket catalog) |
| “Medicine Body”, Illinois State University Galleries, Normal, IL | |
| “Queer Bodies”, Evergreen State College, Olympia, WA (catalog) | |
| “Body Evidence”, P.S. 122 Gallery, New York, NY (Life/Safety/Water/Saving installation) | |
| 1991 | “Interactions”, Institute of Contemporary Art, Philadelphia, PA (catalog) |
| “The Body in Question”, Burden Gallery, New York, NY (Aperture/catalog) | |
| 1990 | “AIDS=AID” & “Beams”, The BAUhouse, Baltimore, MD |
| “Place, Geography, & Change”, Film in the Cities Gallery, St. Paul, MN | |
| “3×5”, Houston Center for Photography, Houston, TX (installations) | |
| 1989 | “Choices” Catherine Edelman Gallery, Chicago, IL |
| 1987 | “Subjective/Objective Images”, L.A.C.P.S., Los Angeles, CA |
| 1986 | “Tampered Vision”, Old Dominion University Gallery, Norfolk, VA (installation) |
| 1985 | C.E.P.A. Gallery, Buffalo, NY (installation) |
| SF Camerawork, San Francisco, CA (installation) | |
| 1984 | “Artists & Photographic Installations”, 1708 E. Main Gallery, Richmond, VA (installation/catalog) |
| Piezo Electric Gallery at Kamikaze Club, New York, NY | |
| 1983 | “Terminal New York”, Brooklyn Army Terminal, Brooklyn, NY (installations) |
| “Altered Color”, Cameravision, Los Angeles, CA (installation) | |
| 1982 | “Photo Start”, Bronx Museum of the Arts, Bronx, NY (catalog) |
| 1981 | Foto Gallery, New York, NY (Duane Michals, curator) |
SELECTED COLLECTIONS:
The Metropolitan Museum of Art, New York
The Museum of Modern Art, New York
The International Center of Photography, New York
Los Angeles County Museum of Art
Museum of Fine Arts, Houston
The Baltimore Museum of Art
The Kinsey Institute, Bloomington, IN
Worcester (MA) Art Museum
Robert Wilson/The Watermill Center, NY
Nash Editions Collection
The Contemporary Museum, Honolulu, HI
Norton Museum of Art, West Palm Beach, FL
City of Phoenix, AZ
SELECTED COMMISSIONS:
| 2011 | Collaborating visual artist Amidst, Pavel Zustiak/Palissimo, Baryshnikov Arts Center, NYC |
| 2009 | Collaborating visual artist Weddings and Beheadings Pavel Zustiak/Palissimo, Ailey Center, NYC |
| 2008 | Collaborating visual artist for Body-Scan, Benoit Lachambre/Su-Feh Lee, Le Quartz, Brest, France & tour |
| 2003 | Collaborative elements/projections for The Yellow Room , Yoshiko Chuma, Daghdha Dance Co., Ireland |
| 1990 | Projections/set for The Undead, (Cooper/Houston-Jones/Brosius), L.A.C.E. (CA), The Kitchen (NY) & tour |
| Slide suite for The Inner Sea, Benoit Lachambre , DanceWorks, Toronto, Canada | |
| 1989 | Set for Allies, Bebe Miller & Co., Brooklyn Academy of Music/Next Wave Festival & tour |
| 1988 | Slide suite for Ishmael Houston-Jones concert, The Kitchen, New York, NY |
| 1986 | Slide suite for P.S. 122 Field Trips, New England and New York tour |
MONOGRAPH BOOKS:
| 2001 | [Your] Numbered Days, artist book, Bethany Johns Design, self publish |
| 1996 | Compound Fracture, Twin Palms Publishers (A.I.G.A. Best Books of the Year award) |
| 1994 | Blind Trust, collaborative artist book, texts:Chris Packard/David Deitcher;Temple University & self-publish |
| 1992 | Lifejacket, artist book, Bethany Johns Design, self publish |
SELECTED ANTHOLOGIES:
| 2008 | Male, Vince Aletti, Collier Schorr, PPP Editions/Andrew Roth, Inc. |
| 2007 | Hommes Pour Hommes, Pierre Borhan, Editions des Deux Terres (Man To Man, English edition) |
| Nash Editions; Photography and the Art of Digital Printing, Garrett White, ed. New Riders | |
| 2005 | Self-Exposure Reed Massengill, Universe Publishing/Rizzoli |
| Umbigo; Co-ordinates of the Body in Contemporary Art, Coutinho et. al. Umbigo Portugal | |
| 2004 | Male Bodies: Photographic History of the Male Nude , Emmanuel Cooper, Prestel Publishers |
| Hidden Histories, Michael Petry, Artmedia Press | |
| 2003 | Facing AIDS: Imaging the Global Epidemic , Umbrage Editions |
| Sixième Sens: Science et Paranormal, Varvogolis/Robin, eds., Editions du Chêne, Paris | |
| 1999 | Adonis, M. Olley, Thunder’s Mouth Press (Homme, Carlton Books) |
| 1998 | À Prova de Água/Waterproof , Jorge Calado, Edition Stemmle |
| Master Breasts, Melissa Harris, ed. , Aperture | |
| The Passionate Camera, Deborah Bright, ed. , Routledge | |
| The Male Nude, David Leddick, ed. Taschen Books | |
| 1997 | Seeing Jazz, E. Goldson, ed., Smithsonian SITES/Chronicle Books |
| Beasts, David Sprigle, ed., Foto Factory Press | |
| 1996 | Whitman’s Men, Berman & Groff, eds., Universe Press/Rizzoli |
| 1995 | Fully Exposed, Emmanuel Cooper , Routledge |
| 1994 | Uncontrollable Bodies, Sappington & Stallings, eds., Bay Press |
| Witkin Gallery 25, Lumiere Press, essay by Peter Bunnell | |
| 1993 | Running Scared, Peter Lehman, Temple University Press |
| Der Traum vom Fliegen, Deutsche Fototage GmbH, Frankfurt |
SELECTED PUBLICATIONS AND REVIEWS:
Afterimage (5-6/99), Aperture (#121,#143,#166), Art & Understanding (8/94), Art in America (2/93), Baltimore Alternative (v.8,#5), Baltimore Sun (5/4/93 & 12/2/97), Blind Spot (#2 & #7), Camerawork (v.24 #1, 1997,v.26 #2, 1999, v.29 #2, 2002), The Critical Eye (on-line, 4/98) , Contact Sheet (#94), Contents Magazine (#16), Darkroom Photography (1/90), DNA magazine (Australia #129 10/10), Edmonton Journal (Canada, 7/4/97), Euros (Berlin, #11 & #39), Exposure (#36:1, 2003), Eyemazing (#4, 06 & #1, 2009), HOT magazine (Milan #5, 2009) Männeraktuell (10/93 & 6/97), New Art Examiner (11/89), New York Native (3/16/92), New York Times (11/15/92), Noname Magazine (#8, 3/07), Out Magazine (11/95, 12/96, 1/07), Perspektief (#42, 10/91), Photo Metro (#100), Pref (Paris #22 10/07), Quiver (#12), Shots (#105, 2009), Seven Seas (Tokyo, #71, 7/94), Smithsonian (V.23 #10), Umbigo (Portugal, #5,03 & #8,04), Views (PRC, Boston, v.9, #4), Village Voice (3/24/92, 12/8/92, 5/8/01), Voices (Buffalo 9&10/98), Washington Blade(4/23/993),Wedge(#2),XXX Fruit (#2).
RELATED WORK, SELECTED RESIDENCIES & GRANTS:
| 2012 | Fundacion Valparaiso, Spain, residency fellowship |
| 2009 | Bogliasco Foundation, Italy, residency fellowship |
| 2008 | Visiting Artist, Temple University Rome and John Cabot University, Rome |
| 2005 | Panelist, Inaugural Regional Triennial, Center for Photography at Woodstock, NY |
| 2004 | Peter S. Reed Foundation Grant |
| 2001 | Visiting Artist, Burren College of Art, Ireland and Glasgow School of Art, Scotland |
| 1998-2004 | Faculty/Independent study projects, School of Visual Arts, New York |
| 1998 | The MacDowell Colony, Peterborough, NH, residency fellowship |
| 1997 | Featured speaker, “Border Subjects” conference, Illinois State University, Normal, IL |
| Fellowship/residency/regional grant juror, Light Work, Syracuse, New York | |
| Visiting Artist, School of the Museum of Fine Arts, Boston, MA | |
| 1996 | Artist in Residence, University of Nevada, Las Vegas |
| Panelist, “Artists Respond to AIDS”, College Art Association Conference, Boston, MA | |
| 1995 | Fellowship grant in photography, Mid-Atlantic Arts Foundation (NEA regrant) |
| 1994 | Panelist, “Masculinity & Photography”, American Photography Institute, NYU, New York, NY |
| since 1989 | Book & CD covers for numerous publishers (Grove, Knopf, Simon & Schuster, Virgin Records, etc.) |
| 1989-1994 | Co-curator with Dona Ann McAdams, SpaceCase Gallery, P.S. 122, New York, NY |
| 1991 | Visiting Artist, Fachhochschule Bielefeld, Germany |
| 1989 | Art Matters Inc. grant for Bebe Miller commission, Next Wave Festival, Brooklyn Academy of Music |
| 1986 | New Works grant, Mass. Council on the Arts & Humanities/N.E.F.A. for P.S.122 Field Trips |
| 1980-1982 | Photographer/graphics consultant, Modern Art Consultants, New York, NY |
| since 1981 | Photo documentation/collaborative projects with numerous performance artists & dancers |
EDUCATION:
| 1979 | Post-graduate work in printmaking, Tyler School of Art, Rome, Italy |
| 1978 | B.F.A. with highest honors, Tyler School of Art, Philadelphia, PA |
| 1976 & 1974 | Skowhegan School of Painting and Sculpture, Skowhegan, ME |
| 1975 | New York Studio School in Paris |
| 1974-1976 | Attended Wesleyan University and School for Visual Arts of Boston University |